Himmelfarb has made a career of turning two-dimensional space inside-out and topsy-turvy: drawings so dense with imagery they appear to be calligraphy; calligraphic paintings that balance mark and space in an ambiguous dance of push-and-pull; colorful iconic forms that might be pictographs, could be figurative, might be pure abstraction; matrices of nervous line that are layered with residual forms/shapes from earlier paintings sometimes asserting themselves as foreground and sometimes acting as ghosts of paintings past, pentimenti offering quiet testimony to his persistent search for balance.
Over the past four decades John Himmelfarb has built a complex and compelling set of approaches to creating abstract works that remain firmly outside mainstream stylistic impulses. While tangling and teasing out iconic images in the language of abstraction in one series, he has incorporated references to real world objects such as plants, buildings, landscapes and trucks in other series of works. His complex vision continues to unfold a rich dialogue of color and theme that, together, form a sumptuous library of recurring, yet freshly resonant, images for the viewer to ponder.